Trevor Paglen shines a light on the shadowy confluence of technological innovation and state misconduct. Whether by photographing secret military installations from afar, or by parsing official documents to identify telling omissions, the aim is to see that which has been purposefully obscured in hopes that visualization leads to consideration. Having grown up on military bases (his father was an Air Force ophthalmologist) before coming of age in the Bay Area punk scene in the ’90s, Paglen is now based in Berlin. We met several times this May at the Istanbul International Arts and Culture Festival, where he had just spoken about a new body of work (on view at Metro Pictures from September 10 – October 24).
A few weeks ago, artists of different generations and pursuits gathered in Istanbul for the Istanbul International Arts & Culture Festival (IST.), a weekend of free conversations and art exhibits—the stuff that brings together luminaries from fields as diverse as architecture, literature, and millinery.
Once a small series of workshops, IST. is now an international affair; past guests include Zaha Hadid, Gore Vidal, and Courtney Love. And if this fifth annual event proved anything, it’s that the art scene in this timeless city is fresher than ever.