The Greening of Detroit for Condé Nast Traveler

On an August afternoon in Detroit’s Banglatown—so named for the sizable Bangladeshi population—artists, designers, and property developers gathered in the garden of Kate Daughdrill’s Burnside Farm, plucking spring rolls from a picnic table made of beams salvaged from the burnt-out home next door. The lunch included a planning discussion for the third edition of Culture Lab Detroit, an annual design and urbanism symposium happening next month. It was business as usual for Daughdrill, who operates Burnside Farm out of her home and garden. Purchased for $600 in 2011, the house is just one of the many instances of artists and activists who’ve approached the desolation of the Motor City as a blank canvas.

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